Saturday, April 13, 2013

365 Comics...103: Fantastic Four #1 (2013)

After yesterday's reading of FF#1, I was kind of worried that I'd get suckered into the Fantastic Four once again as well.  This issue wasn't bad by any means, but mercifully that didn't happen.

It was the appearance of the Future Foundation kids that I liked most about this issue, and I wasn't completely disengaged from the "family first" message that it conveys, but ultimately, except for Ben Grimm, I still don't care all that much about the other three.  Y'know, even if the Four are going to die (however unlikely) due to some some long-term cosmic-radiation side effect, I'm not sure I care all that much (except the Ben, love the Ben, save the Ben).

If I were to have a Fantastic Four of my own, one based around family, it honestly would be Valeria, Franklin, and Nathaniel Richards (Reed's Dad), and Ben.  I like all these characters far more than any of the other characters in the four.  Kill off Reed, send Sue off to be Namor's queen (finally) and leave Johnny to reality TV and whoremongering.

I'm also not a big fan of Mark Bagley.  He's a good storyteller but his art only ever resonated with me on the New Warriors back in the '90's, and never since.  Here, I had to double check the credit on the book after page 2, because I thought for a second Alan Davis was on art.  But no, it's Davis' long-time embellisher, Mark Farmer handling Bagley's inks which make it so Davis-looking.

So, I'm able to breathe a little easier and scratch this one off any "potentials" list.  I win this round, Marvel #1 promotion.

Friday, April 12, 2013

365 Comics... 102: FF#1 (2013)

Aw crap.  I thought I was free and clear of The Fantastic Four and its Future Foundation offshoot after Jonathan Hickman's epic and most excellent run ended.  I thought I was reading those books solely because Hickman is so awesome and not because l had any real affinity for any of the characters (except Ben Grimm, I've been a lifelong fan... well almost).

Truth told, I was hoping to plead ignorance about the Marvel Now relaunch of the two series,to willfully ignore that there may be any lingering interest or affection for any of these characters, especially since I've never been a Fantastic Four fan, ever.  Though I know Matt Fraction to be a good writer (a great one, often) and even perennial favourite artist Mike Allred (with Laura Allred on colours) on one book.. still I was planning to avoid them, even with She-Hulk, one of my all-time favourite Marvel characters and long-time crush, on the team.

Well, damn you Marvel and Comixology for your Marvel #1 promotion.  I made short work of sifting through your offerings and came out with 32 of your 700+ first issues that you offered.  FF#1 indeed was among them. How could I continue to ignore it?

And damnit if Fraction and Allred (and Allred) didn't throw it in my face how much I really grew to love those FF kids.  From Bentley and Dragon Man to Leech and Artie to Val and Franklin, I adore those kids and I want to watch them grow and develop.  More more more please.  The Allreds draw and colour Shulkie with the most dreamy green eyes, and this grieving Ant-Man fellow, having recently lost a daughter is a most intriguing guardian for these kids.  All right, Marvel, ya got me. I'm in, but I'm waiting for trade on FF. No hardcovers for me this time... I can wait.

You ain't getting me back on board Fantastic Four again. No way, no how.  Wait, what's this?  A free #1? 
Noooooooo!

Thursday, April 11, 2013

365 Comics...101: The Tick's Big Father's Day Special (2000)

The first time I ever saw The Tick, he was storming through a handful of ninjas half his size in a New England Comics ad on the back of a Predator comic circa 1990.  I had no idea what this character was or was about but remained intrigued for a very, very long time. I bought the first issue of Chroma-Tick (the full-colour reprint of of Ben Edlund's original stories) in 1992 and I didn't get it.  That it was a comedy kind of came as a surprise.  I had planned to continue buying Chroma-Tick just to get a better sense of what the book and the character were, but at the time $3.95 ($4.95+ Canadian) was too much. I remember seeing the Tick cartoon once or twice when it first aired, but, again, I did.not.get.it.  Also, I thought the animation was...kind of bad.  I didn't get it.

I let the Tick rest, for years, up and until the live action series, which, to me, was incredible.  I understand why it didn't last, I understand why it was cancelled early, I understand why the general public didn't take to it.  They just didn't get it.  I could have done with two or three more seasons of Patrick Warburton and company (friends who were Tick "purists" -- and by purists they were generally only fans of the cartoons since the comics were still kind of obscure --  didn't like the changes in the series... Die Fliedermaus became Batmanuel, American Maid became Miss Liberty, the Tick's face more exposed...superficial changes, sexual innuendo was probably the biggest addition to the show).

After the live-action, I quickly learned what I could about The Tick and his background, about New England Comics and about Ben Edlund.  I wanted to get into Tick comics, but I was so far behind, and I wanted to start at the beginning.  For the longest time I just never got around to catching up.  Luckily for me, my wife came to me with original trades on her bookshelf and a few additional floppies that certainly satiated my interest and curiosity about the character.  I didn't delve much deeper than Karma Tornado, as Edlund went on to other better-paying things than comics (writing, directing, producing -- Firefly, Supernatural).  I dunno, I have it in my head that it's a creator-driven character (even though the non-Edlund Tick stuff outnumbers the Edlund-created stuff like 20 to 1 at this point) and that it's not as worthwhile without Edlund, kind of like Community just isn't the same without Dan Harmon at the helm, like a faded image of itself.

Anyway, when the Tick cartoon came out on DVD, I bought them, I watched them, and it was only in concentrated viewing that I started to appreciate it.  Via my stepson's keen interest in the show, I've watched them even more, and I like them even more.  A few month's back my daughter (not yet 4) caught an episode and has become kind of obsessed (not as obsessed as she is with Samurai Jack and DC Super Pets and Octonauts, more on a second-tier Monsters Inc, Hulk and Muppets level obsessed).  So when the wife and I took the kids to the most recent Toronto Comic-Con, I told the kids they could each get a comic (since I was getting, I dunno, 20 or so).  My daughter's pick was a $2 Tick comic, and after a lot of "no that one. No, that one" we settled on this one, the "Big Father's Day Special" (by no influence of my own, I was kind of touched).

So we finally get around to reading it.  The art is decent but not inspired (why isn't the Tick always in color... he really needs to be in color), thankfully the story is kind of fun.  Kid-Tick is introduced and, because he's neglected by his e-trading dad and career-focused mother, he wants to become the Tick's ward.  Of course he sees Arthur as an obstacle and begins sabotaging the sidekick.  It has it's fun moments but they're overshadowed by a couple derivative points which remind me why I don't read the new Tick stories with any regularity (or at all really).  A story like this actually would have played better longer-term, as a mini-series (or as a part of a regular series), really playing out the antagonism between Arthur and Kid-Tick, delving deeper into the dark comedy of his homestead and more of the cliched parenting moments from the Tick.


Wednesday, April 10, 2013

365 Comics...100: Batman and Red Robin #19 (2013)

I picked up 10 new books this week (2 DC, 2 Marvel,1 Dark Horse, 2 Image, 1 Valiant, 1 Boom Studios and 1 IDW... talk about your diversified portfolio [who was talking diversified portfolios?]) and my first read of the week was Batman and Red Robin #19.  Why? Because I bought into the hype, that's why.

It's going to get spoilery in here (no, not Steph Brown Spoiler, sorry) so if you plan to read it best skip this.


breakspace



So it's been largely spoiled by the comics and mainstream media that Carrie Kelley makes her debut here.  I understand that Frank Miller's Dark Knight Returns was seminal in its day and had a lasting impact upon the genre and the medium, but I've never been much of a fan and I don't see what the big deal is about her appearance here.  Are people really that excited for Carrie to be a "real" Robin? 

That said I liked her character here and how Pete Tomasi has brought her into the mythos, by way of Damian.  It was a nice touch, one that I'd like to spend more time with. I don't know that I want her to be Robin but she's fun to read so why not?

I wish the rest of the issue were as good though.  Were it any other character Batman's actions here would be a declarative step towards supervillainy.  He's not teetering the line, his swung his damn ass over it by kidnapping Frankenstein and dismantling him to figure out how he was put together and brought to life.  Bruce has gone full-bore psychopath and it looks like everyone is just gonna let him skate instead of putting him down.  Oh just let him grieve in his own way and do some seriously Bat-shit crazy things.

- I'm always happy to see Frankenstein
- Red Robin way kind of a waste
- that full page splash of Carrie in a Robin costume attending a costume party that you've seen floating around the net?  It's a terrible drawing.  Compositionally speaking, character posture-wise,facial expression... not Pat Gleason's finest work that's for sure
- The "WTF" gatefold cover this.. I get why it is "on-topic" but I'm very tired of TDR lifts / homages
-Batman #19 also has Bruce Wayne going bad, very bad. What's it all mean when yor put it together?

-Is Carrie's roommate Steph ?

Tuesday, April 9, 2013

365 Comics... 99: The Futurians by Dave Cockrum #2 (1985)

I don't know if this was Cockrum's intended idea behind the Futurians or not, but my take on the characters and series is  "what if a half dozen or so average people suddenly were endowed with superpowers from the future and then asked to form a team to combat extra-terrestrial threats from the future without any training whatsoever?  What would that look like?"

It looks a hot mess of gaudy derivative 80's-designed spandex and creature mutations, full of fuck ups who have no idea what they're doing and constantly bicker with one another in a not-friendly way.  It's kind of like a superhero equivalent of reality TV, about a decade before the John Connor that was The Real World heralded the destruction of television.

I found The Futurians #3 in a quarter bin a couple years ago and became fascinated with it, as I tend to get with short lived series (and companies) that are the product of big name (or at the very least credible) talent.  There were such big promises made in the back of issue three with notes about what was so certainly coming down the pipe in future issues.  Then I discovered that #3 was the last issue published, and that The Futurians originally started life at Marvel as part of the oversized Marvel Graphic Novel series with intent of continuing as an ongoing under Marvel's "Epic" banner.

Cockrum was however swayed by "Hollywood connected" upstart publisher David M. Singer, a lifelong comics fan who wanted to make his own comics company by throwing gobs and gobs of money at top tier talent in a wholly unstable business model, banking on selling licensing to Hollywood to break it big.  Singer did manage to make some great looting comics like this one as well as Wally Wood's T.H.U.N.D.E.R. Agents and Codename Danger, inexplicably under multiple publishing banners (Lodestone here, Deluxe Comics for Thunder Agents) but only for a few months before it all collapsed.  He was apparently paying over double what Marvel was at the time.

Cockrum in interviews I've read seemed regretful about his decision not to stay with Marvel/Epic, thinking he probably would had had a 5-to-10 year run on this series of his own creation.  The Marvel Graphic Novel went to 3 printings, rather unusual in those days, it was a hit.  But he also understands all too well that as an artist he couldn't turn away Singer's money even if it did seem to be too good to be true.

In the future I should get more into Singer's short-lived publishing history because this guy is something else.

This second issue of The Futurians is a terrible read (in a fun way) but a terrific looking book (also in a fun way).  I just need to find issue #1 to complete my run now, although I hear there is a collected edition with the otherwise unpublished #4...

Monday, April 8, 2013

365 Comics...98: Dazzler #42 (1986)

So I'm in the middle of reading the final issue of Dazzler when... what the fu...

Cap's gonna star in a broadway show...
...and maybe you can star with him.

If you're a girl between 10 and 14 who can sing, dance and act up a storm , you might just be the person Vap's looking for!  He neefs a bundle of talent to play his very special friend in Captain America(TM)  -- a musical spectacular due to hit Broadway this spring!
Interested?
Then send a photo and background info to:
(Dont bother this was 27 years ago)
Do it today. You wouldn't want to let Cap down, would you?

How bizarre is this?  Putting a casting call in a comic book?  Oh 1980's, you were so cocaine filled.

And a Captain America musical?  I've never heard of it, so either it never came to fruition or it was a miserable failure erased from memory. I'm gonna have to stop reading this Dazzler comic and troll the dark recesses of the net for more info on this most assured travesty.

---
From the New York Times archive, 1985:

By Enid Nemy (The New York Times); Weekend Desk

April 5, 1985, Friday

Late City Final Edition, Section C, Page 2, Column 2, 1099 words

[ DISPLAYING ABSTRACT ]'Captain America' boasts a hero-sized $4 million budget. IT'S going to be a big one, if everything works out as befits a musical named ''Captain America.'' Big, in this case, means a budget of $4 million - a lot of money, even for a superhero fighting for the American dream, the flag and the woman he loves. The superhero will not, in fact, be particularly super when the curtain goes up. The book by Mel Mandel and Norman Sachs (who are also responsible for music and lyrics) has Captain A. going through a mid-life crisis. Fortunately, the action speeds up - his girlfriend, a candidate for President, is captured by terrorists and held hostage at the Lincoln Memorial. That's enough of the plot - when you invest millions, as are Shari Upbin, James Galton and Marvel Comics and some as yet untapped sources, you're entitled to a few secrets.
---

Yowza.  It apparently never actually materialized on Broadway (it sounds like it would best Turn Off The Dark in rancidness).

Sunday, April 7, 2013

365 Comics...97: Smallville Season 11 #12 (2013)

Am I going to comment on every issue of Smallville Season 11 that comes out this year?  Probably.  Why?  Because it's pretty much the only title that I read that makes me feel like a fanboy.  I like most of the books I read in a given month, and I like to think that I generally let my discerning tastes guide me to worthwhile reading, but none of them delight me as much as Smallville does.  You know I don't care to watch (or re-watch) an episode of the show ever again but I get giddy when I see "Smallville" on the new releases chart on my store's website and I want this to go on as long as Brian Q Miller wishes to write it.

3 things I loved this issue:

1. How much Clark and Bart genuinely love each other, in a brotherly way of course.  "I'm going to build Bart a statue."
2. Superman, Green Arrow and Lois paying Lex, changnesia sufferer, a visit. "For the record, you used to buy nicer scotch"
3. Earth 2 Chloe and the Monitor have a little chat.  "Your body, still roiling with Bleed...the anti-matter that separates all universes."