 Missing from this series is the talking donkey, the braying ass that, for me, was the weakest element of the original series.  The incessant chatter seemed to be forcibly at odds with the both the book's intended atmosphere and the Cowboy's preferred ambiance.  Why they were traveling companions I'll never understand.
Missing from this series is the talking donkey, the braying ass that, for me, was the weakest element of the original series.  The incessant chatter seemed to be forcibly at odds with the both the book's intended atmosphere and the Cowboy's preferred ambiance.  Why they were traveling companions I'll never understand. Adam was right, The Shaolin Cowboy is not a great story by any stretch, but it is a wonderfully visual experience, with Darrow's eye-poppingly ornate artwork and his warped comedic timing, it's like Moebius melding with Takashi Miike, spitting in your eye then slapping you in the face before tickling you and feeding you gourmet salted chocolate.
This issue opens with two pages of 6pt text recapping "The Story So Far..." all of which is made up, save for the last three paragraphs which actually recap the previous series. It's a ridiculous read with Darrow repeatedly doling out some of the most brazen puns he can and warping in out-of-context pop culture cues. I can't even explain it, but it's an impressively weird and I laughed out loud more than once. I would love it if some keener made an audio drama out of this with sound effects and whatnot. Would that I had the time.
 
 
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