Showing posts with label sit-down spectacular. Show all posts
Showing posts with label sit-down spectacular. Show all posts

Sunday, July 3, 2016

Catching up on comics -- A Sunday Sit-down Spectacular (part 2): Omega Men #7-12

(see yesterday's Saturday Sit-down Spectacular for Omega Men #1-6)

ISSUE 7

In Scrapps and Doc's attempt at freeing the captured Primus, Princess Kalista and Kyle Raynor last issue, they apparently killed over 37,000 people.  Are these hard choices for the Omega Men, to destroy that much of the enemy in one fell swoop, or is it just a necessity that they don't think twice about.  Primus is a pacifist and so far he's only personally taken one life, but in the process he's been responsible for thousands of deaths indirectly along the way.  As Kalista said last issue, the only sacrifice they need from him is his soul.

Remember me saying that Kyle wasn't falling for Kalista's attempts to manipulate him into loving her... yeah, well, scratch that. 

"I love you."
"No you don't.  You want to save what you love.  You want to love what you save.  And you want to save me."

Even further, pushing him away to bring him in closer, a little bit of rejection while being fully intimate.  Well played Kalista.

An appearance from Omega Men of old on the "Wanted" board in the center spread (which didn't quite make it to the center.  I see Harpis and Nimbus on the board, though they haven't appeared otherwise.  "Green Man" isn't the same as old, that's just how they reference Kyle...even though he came as the White Lantern...

Kyle and Kalista work to get off planet.  They "negotiate" with a transporter, who eventually agrees to help them.  Earth objects, Kyle notes, are rare deep in space, and fetishized, so they're valuable.  Kyle exchanges his cross, and a story behind it for transport.  B'lorf, their ever so helpful resource, also secures hypnos for "human and Brahmin".  Hypnos, like what the agents of Spyral use in Grayson.  So do they originate from space or from Earth?

Ok, maybe Kyle's not so easily manipulated afterall.  Tom King's keeping us guessing on this one.  Kyle's also quite observant.
Kyle gets a "What's in the box" moment
---

ISSUE 8

"Planet Voorl is forbidden".

Back in issue 4, Kalista told Kyle that when the Citadel came knocking, Voorl put up a force shield and no one has entered or left since.  Kalista makes it seem like it's a big thing, but if we on Earth were cut off from traveling into space, or having space travel into us, it may not seem like a big deal.  Then again if we were cut off from, say, traveling to Australia, and Australians were cut off from leaving, it might seem a bit more...I dunno...forbidden fruit maybe?  I don't think humans like barriers instinctively.  And yet putting a wall up along the Mexico border seems like a good idea to a lot of people, so maybe I'm wrong about that.  You know who doesn't like barriers?  Cats.  Close a door and a cat wants to see on the other side.  Let her go on the other side and close the door behind her, and she'll want to go through again. Oh, cats.

A young Scrapps asks, "...Mommy, what's the shield?"
"Oh, it's nothing you have to worry about.  That's why it's there, my darling.  So you never have to worry."

Ah, and now we learn what the key of Alpha is for.  Can't believe I didn't piece that together already.

After Krypton exploded, a galactic committee was assigned to looking into a solution to preventing planetary deterioration.  The answer was "Stellarium"  a substance "which may be injected into a planet's core to prevent deterioration and subsequent combustion."  It's a property apparently unique to the Vega system but research has learned its mining is "not...beneficial to the inhabitants of the mined world."  You see where this is going...

Is Kalista really asking Kyle to use the White Lantern ring, the ring of life, as a bomb?

And now statements Tigorr made a few issues back about killing a world make sense.

Bagenda and Fajardo Jr. nail this shot of what the Citadel did to Voorl.  Shocking and stunning, a gorgeous piece.


A bit of backstory for Doc here.  DOC = Defense Operation Cybertronics.  The insinuation was that Doc was a medical droid...whelp...not so much.  The relationship between Scrapps and Doc comes into focus here in heartbreaking bookends.

Much like the Omega Men, who have been taking an extensive amount of lives in their fight to usurp the Citadel, the Citadel preach that the sacrifice of Vrool is ultimately the savior of hundreds of billions of lives.  Kyle struggles with what he has been asked to do, he struggles with what he's been doing with his life as a Lantern when massacres like this can happen.  He rages against his God, though his belief in God never waivers.  He just doesn't particularly like God right now.

---

ISSUE 9

And now it's Doc's turn to sacrifice... or, perhaps, to atone.

The Omega Men venture to The Seat of the Audience (basically the assembly of the Vega system's various governments).  They're startled to find the Viceroy of the Citadel there, but no really.  The Prime Speaker of the Audience: "Tsk. Tsk. Tsk. Terrorists or freedom fighters?!?  Leaders or oppressors?!? It's all so very exciting!"

I didn't realize the White Lantern was "the only person to ever master each and every emotion on the color spectrum of lanterns."

Kyle:  "They said...I had to choose between the savagery of empire and the savagery of revolution.  And I said, No.  I would not choose.  I told them there was another way.  A third way.  Truth. Justice.  The American Way."  (And yet, what is the American way?  What does that represent anymore.  At times it seems it is both the empire and the revolution.  America is both the alpha and the omega.  Life, liberty and justice, but also death, oppression, and injustice).  "I chose to come to the people, let them see the horror that is keeping their planets alive." (And when this happens in America, which it doesn't happen nearly enough, showing the horrors America's presence in the world has...but when it does, the people whether outraged or not, largely turn a blind eye, placated by entertainment and the desperate struggle for the fallacy of the American dream which they've been sold.  I'm no less guilty.  I'm writing extensively about comic books for Alpha's sake.)

Boom.  And it all goes down.



---

ISSUE 10

Karna (Tigorr's homeworld).  Battle of the Cats, Day 22.  Kyle's in the thick of it as the Karnan's face off against the Citadel's D.O.C.s.  The D.O.C.s are very effective and efficient murder machines, but all the while they coldly plead "Please surrender."

Kyle's a resolute fighter, but a lousy warrior and tactician.  He has a superweapon at his disposal which effectively is powered by his emotions and the only limit to what he can do is his imagination.  He's fighting with claws and guns and enhanced fists.  They're robots Kyle, you're an artist... construct a sky gun that can target them all at once...or a giant masher that can take them out in one fell swoop.  So frustrating.

Why does the chairman of the Galaxies Committee keep making Earth turns of phrase ("wait a country minute", "waddling off as fast as Central City lightning"), talking like a Southerner.  Who is this guy?

Kyle and Primus manage to have a conversation for the first time.  In fact, Primus has been relegated to the far background for the past three or four issues.  I don't even recall his last line of dialogue.  But here, he's talking about being a pacifist at war, and also his conflicted feelings about Kalista and Kyle.

War is fought. War escalates.

---

ISSUE 11

War escalates from Karna to all the 5 worlds of Vega.

Kyle becomes the Omega Lantern.  He brokers deals for soldiers to fight on the Omega Men's behalf.  He gets his cross back.

Scrapps likewise gets the corrupt Changalyn to turn against those who bribed them into complicity.  She is being Broot.

Tigorr, the captured son of the ruler of Karna, the murderer of his own father, the traitor, has returned a warrior and savior and now fights for his place as heir to lead the pride.

Primus returns in front of the camera, begs forgiveness for what he must ask, which is for others to give up their firmest belief in nonviolence and take up arms against their oppressors.

An Kalista, patricide or regicide...either way she inherits the throne, and must lead a civilization of Brahmin her family has broken for many, many years. 

There's no doubt a lot of intricacies to how these societies react to their new leadership, but war is at hand and the time to discuss past sins can wait.

The Omega War rages.  And on Day 182, the Omega Men reach the Citadel home world.

---

ISSUE 12

"Everyone is savage.  Everyone is civilized."
People like to consider themselves good and bad, consider themselves better than others and the actions they do.  People like to justify their immorality as part of the greater good.  People who are unwilling to accept their own evil.  People who blame others, who only see black and white, who see no third option.  But the difference, Kyle points out, between the Omega Men and the Viceroy, is that they enter into their actions with eyes wide open.  They're not proud of the deaths they cause (not most of them anyway) and they're not blind as to the impact of their actions.  Kyle counts himself among their ranks now, but, as seen in the last issue, he sometimes stands while others fight, perhaps watching to ensure lines are not crossed, turning the Omega Men's war ignoble.

The Viceroy's actions at this point, the whole war is to save himself.  The Galaxies Committee will have his head if they don't get their  Stellarium, and the Galaxies Committee are willing to turn a blind eye to the Viceroy's actions to get it.  It's no surprise the Viceroy has a panic room.

Scrapps: "I don't want to just blow everything up.  I want to, like, shoot him in the face.  It's not fair."

Kyle doesn't know if he has the strength to get to the Viceroy.  Kalista gives him a pep talk...well, more like putting the weight of millions of lives on his shoulders.  "You want to save everyone?  Here's your chance.  Open the box."

Kyle makes a plea, to show that the world doesn't have to be black and white, Alpha and Omega, that there's room in between. "There is always a third way." 

But some people are their their nature, and cannot, or will not change.
And that inability to change shakes Kyle to the core.  What is good? What is evil?  Where do good intentions go bad?  How can bad deeds be good?  This is what shakes not just Kyle's confidence him himself, but in his belief in everything.

The Omega Men win.  But it's a hollow victory. They separate, go back to their home planets to rule, who knows how justly (not very, it seems).  Kyle's left to walk through the Citadel homeworld and witness the massacre he supported.

He returns to give a report to the leader of the Galaxies Committee (why?  I'm not certain.  I'm a little outside of current Green Lantern policies and hierarchies).  But this leader, an American, he's once again on the warpath for "the greater good".  We need Stellarium and the Vegans, under Kalista's rule, won't just give up a planet for it, so we need to go in and take it.  And that is the American way.

Kyle give a final speech, when pressed to answer whether he's "with them or us"?  The answer is Kyle's going to fight for what he believes is right, and he's going to fight to convince others to do what's right.  But the final point is who's the savage, who's civilized, and he frames it in the context of grids in a comic book.  Purpose.

I get the sense through all this that Tom King is wrestling with his own feelings about serving his country, about how America acts "in the greater good" but all the more often seems simply self serving.  There's obvious parallels to the Iraq war (Stellarium = oil), and again the military viewpoint is "us or them" as if there's no other options, no other way for a soldier to think about what they're doing.  King seems to propose a third option, but he's not quite clear how that third option takes shape.  America is supposed to be a land of ideals, but in the international market (and moreso at home) they don't tend to exhibit those ideals.  They just tend to speak to them while secretly doing something other.

Each issue ends with a quote from William James, one of the most prominent American philosopher.  James wrote a lot about pragmatism, and truth. He tried to see if belief was quantifiable, if there was a commercial element...if people's beliefs could be bought and sold.  Does the internal reality have an external value?  For instance does a belief in God have an external value?  If it brings meaning to the holder of the belief then for certain value does exist.

I'm sure there's more to James than just that (the result of rudimentary web searches), and King's use of the quotes no doubt have influenced each chapter of the story. 

In the end Omega Men comes together as a deep, dark and rewarding investigation into war, and why we fight, the nature of belief in one's self and one's actions.  King story bustles with purpose, with meaning and intent, and Bagenda is on board for delivering both as space war spectacle and as ruminative philosophical essay.  It's a surprisingly intense piece of work, well beyond what anyone could expect from effectively minor characters from the 80's largely forgotten.  With a more pulpy flair, King could have had the next Guardians of the Galaxy on his hands, but he had a more important story in mind, more important things to say than strictly entertainment.

I'm glad DC gave King his 12 issues.  It leaves teasing a second, much larger war.  I'm not certain if this requires playing out.  The intent is clear...there's always going to be more fighting.  It's human nature.  Its wanting what someone else has.  It's self preservation.  It's any number of excuses.  Deep down we know it shouldn't be this way, but we also know it can't help but be this way.


Saturday, July 2, 2016

Catching up on Comics -- A Saturday Sit-down Spectacular: Omega Men #1-6

Aw yeah, comics lovers, its time for a Saturday Sit-down Spectacular.  Reaction and commentary issue-by-issue of a complete series and/or story arc.

Let's go, The Omega Men #1-6 (come back tomorrow for 7-12)
(+ the 8-page "sneak peek" from Convergence: Batman & Robin #2)
DC Comics, 2015-16
Writer: Tom King
Artist: Romulo Bagenda with  Jose Marzan Jr. (Sneak Peek), Toby Cypress (issue 4) and Ig Guara (issue 7)
Colors: Romulo Fajardo Jr. with Hi-Fi (issue 10)
Letters: Pat Brosseau
Covers: Trevor Hutchison

PREAMBLE:
It was the Sneak Peek that sold me on the book... that plus Tom King was already becoming a fast favourite over on Grayson.   But a 9-panel grid book...? How positively Giffen-esque of them (some may say Watchmen, but Giffen is always my go-to reference), and I'm always a sucker for a 9p grid.

My pickup of the book was not a steady one.  I regularly forgot to add it to my pick up list for my weekly Wednesday sojourn to comics shops, and often had to back order the damn thing.  And then after issue six I had to find a new shop and the closing half of the series seemed to be getting scarcer and scarcer (either from dwindling sales or the increased word of mouth.  Through all the "DCYou" tumultuousness, when series were cancelled without mercy, outcry for The Omega Men to continue didn't fall on deaf ears and DC, showing faith in King as a promising superstar talent, let him finish his 12 issue arc, making Omega Men less a cancelled series an more an old school DC "maxi-series".

Issue 1-5 (plus the Sneak Peek) will be a reread for me, but I'm so distant from it I remember very little.  I've rather anxiously been awaiting this Super Saturday Sit-down Spectacular so I can just drive through it.

---

SNEAK PEEK

Now that is how you tease a story!
8 pages, 72 equally-sized panels, all showing one stationary shot from some type of recording device.  It crackles with digital static as a hooded prisoner is dragged into frame by a massive, brute creature (with, incongruously a gentle demeanor).  Another figure comes into frame, speaking of philosophy, religion, oppression and tyranny.  He is a freedom fighter, or a terrorist, depending on your perspective, and his prisoner is Kyle Raynor, the White Lantern, who was sent to broker a "truce"(tantamount to surrender) between the Citadel overlords and the Omega Men uprising.

The Sneak Peek ends with a giant orange cat-man entering the shot and slicing Kyle's throat while the camera crackles and blurs with static.  

I'm not going to play by play every issue but I feel the excitement rising once again for the story to come.  This is just an amazing intro, both in teasing the story and shocking the audience (they can't just do Kyle like that,  can they?).  But equally it's just brilliantly crafted execution (no pun intended) from Bagenda.  Keeping the shot static while having the charaters move around the frame (even the small movements the bound Kyle make) gives the sequence such a dynamic feel.

I read this on my phone through Comixology, and the 9p-grid is perfect for the average smartphone display to thumb through panel by panel.  It's very close to a flipbook in this regard.

(READ IT NOW!)

---
 
Hutchison's covers for the entire
series are great, but the first is my
favourite
ISSUE 1

And the crew is introduced... facing off against off-world Citadel soldiers (a prerecorded message "We are friends.  We will not hurt you" repeats over and over as they blast, beat and shove their way through the populace of a remote outpost.  But cause and effect, beginning and the end.  These soldiers are the alpha and the Omega Men are their end.

Tigorr, the brutal cat-man.  Broot, a peaceful giant pushed to far.  Scrapps, left with no other options. Doc, the medical robot. Primus, their pacifist leader who must enter the fray of bloodshed and violence himself.

They have what the soldiers were after.  Kyle Raynor: the bomb.

Meanwhile, was that the white lantern ring on the viceroy's finger?

Bagenda again delivers excellent storytelling and pacin in thr 9p format, often merging panels but always sticking to the grid, occasionally offering up a splash page, which is kind of jarring against the 9p but also emphasizes the excitement of the splash.

---
ISSUE 2

I love these opening panels... the upshot perspective of the Governor preparing his greeting as the Viceroy's omega-shaped spaceship (very cool,very Star Wars in a way) makes it's landing.

A wholly evil (and utterly casual) exchange follows between the Governor and Viceroy, as the haggle over how many of the Governor's own people must die in "compensation" for the loss of the 39 Citadel soldiers in the previous issue (according to the contractual terms between the Citadel and the Governor's planet, 100 civilians must die for every soldier killed).  It's extremely black satire that comes to bleak fruition later in the book, with a gut punch of a reveal about our protagonists (it's really a question by the end of this issue if we're supposed to be rooting for the Omega Men, despite their extreme methods, or if we're supposed to be more on Kyle's side).

Meanwhile, Kyle Rayner gets a bomb (kind of like a parolee's ankle monitor) inserted into his throat, and he prays in Spanish as he recuperates.  I haven't read a story with Kyle in quite some time, and even when he became GL in the mid-90's (the period when I read the most Rayner-led stories) there was never an indication that he was Hispanic or Latino.  Which isn't to say that this is a new change, he may have been this whole time, but it's only now that I've seen his cultural background is presented as a part of his character.

Tigorr is a big cat-man butvhe can still hide under Broot's cloak while Broot is wearing it.  Broot is huge.  Meanwhile, it's strange that Doc has room inside his metal body for Scrapps to hide in (then pop out and shoot people in the face... this book is really violent).

Primus may be a pacifist but he sure knows how to motivate and manipulate.

That final page, where Kyle recites the Green Lanterns' oath, taking blood from his neck wound and turning the omega symbol on his jumpsuit into a lantern symbol: brilliant, all around.

---
ISSUE 3

My memories from my original reading of the first 5 issues are mostly of this one, where we're introduced to Princess Kalista.  On page one she is swordfighting with a natuve of the planet Euphorix.  Kalista's father, though a king, still is a servant of the Citadel.  Having been transposed from her homewold to Euphorix as a child, Kalista has been training in swordfighting for almost two decades by combating a handful of desperate civilians (brought to her for that very purpose) every day, to the death.  Naturally she's become a pretty good swordsman...swordswoman...swordsperson.

The Omega Men make a kidnapping attempt, with Tigorr, then Scrapps, entering the fray and nearly dying in the process.  Finally Primus and Broot succed and get everyone back on board their stolen ship (from the previous issue) and Doc bandages their wounds
"More!"

Scrapps looks like Amy
Pohler here. like.
Kalista is put in a cel with Kyle and they're told their fates (and neck bombs) are linked.  Kyle's white knight syndrome kicks in.  What he doesnt know is that Kalista is a plant and she is, in fact, the leader of the Omega Men.

What has become clearer in reading these past two issues is that there's no amount of sacrifice, civilian or Omega Man alike, that's too small for their cause.  But what is their plan?

I loved the subtle Omega symbol her drop of blood made in the water on pg 3 (echoes of the first issue where the Omega symbol swirls around in the Viceroy's coffee).  I also like how Bagenda does a lot of background reveals, training the reader to be invested in the entire frame at all times (just in case).

I'm wondering if Kalista tells her manservant, Talim, that she loves him (noting that she doesn't say so often enough) because she knows he's going to be killed ...?
more beautiful grid style fight sequencing from Romulo Bagenda

---

ISSUE 4

The bad news is Bagenda is out this issue and fill in artist Toby Cypress either didn't get the memo about the 9p grid format or he was told he didn't have to stick to it.
This is a Kyle-focussed issue, as he and Kalista get further acquainted.  By the time the team "kidnaps" Kalista last issue, Kyle's been a captive of the Omega Men for a few months.

Kyle quickly retells how he came to be a Lantern and some of the trials he's faced as a result, but King writes Kyle's narrative in such a way that it has meaning to their current situation, and more importantly why Kyle is relevant to the Omega Men.  It's obvious they see his potential. Kyle relates how, unlike other Lanterns, he wasn't chosen, or selected, it wasn't fate, and  he didn't have the requirements, the fearlessness or strength, he was just there.  But here, the parallel is, he was selected, he was chosen by the Omega Men because of his strengths, and perhaps it was just a little fate that brought him.

Kyle talks of the two sides of the coin, the fork in the road where paths diverge and lives take shape.  In its own way, the Alpha and the Omega, cause and effect.

Cypress errs in the art here, showing Kyle giving up his ring to the Citadel when he came to broker the peace treaty, which explains how the Viceroy has it in issue one.  Only thing is, it's a Green Lantern ring and not the White Lantern ring that it should have been (and he's drawn and colored in a Green Lantern uniform).   At least they explain why he gave up his ring (has to do with a longstanding truce between the Guardians and the Citadel that keeps Lantern "weapons" out of the Vega system).

Kalista tells Kyle her story, of how she was raised to slay the Euphorix natives, of how the Citadel oppresses her people's religion, and then takes Kyle on a verbal tour of oppression throughout the Vega system.  But we don't really know with her what's genuine and what's manipulation.  As Primus and Tigorr (who Cypress draws like A FUCKING LION!) observe, they note that Kalista has a plan and they need "the bomb", which has become their pet name for Kyle.

Kalista preaches hate for the Omega Men, but sympathy for their plight, and she baits Kyle into having feelings for her.  At this stage, Kyle's there as emotional support but he has to forget Carol first, and that may prove harder than Kalista thinks (she was a Star Sapphire, a love lantern, afterall).

---

ISSUE 5

In which the Omega Men return to Changralyn, Broot's home planet.  It's a very religious society and, as we learned from Kalista's audio tour last issue, one in which its priests have been paid off by the Citadel to preach acceptance of their oppression.  We learn "Broot" is a moniker of shame, that he was once Dauphin of the Pontifex, a good priest of high standing. But Broot became an outcast because he spoke against this corruption, and he was ejected, so the masses fling poo as he returns to the temple. 
"It is being good that it is dung. It is better than throwing stones.  Stones are being sacred."

Their visit here is to meet with the King of Euphorix, Kalista's father, acting as neutral ground to make an exchange: Kalista for a magic key, the Key of Alpha.

I like that King writes Kyle as being more aware and more intelligent than someone usually is in their surroundings.  He's not fully aware he's being manipulated but he can tell the Omega Men are up to something.  I like his new mask, and how Bagenda alternates the panels between looking at Kalista and Kyle and Kyle's red-tinged POV.
Bagenda's first two-page splash is a beaut as the Omega Men realize they've fallen into a trap.

Broot and Scrapps have a real Groot and Rocket thing going here.  The gentle giant, and the quick witted foul-mouthed weapons nut.  (It should be noted that Broot predates Groot's current popular public persona, though I believe that Groot still appeared in the 1960's, well before the Omega Men debuted in the 80's).

Fajardo Jr.'s coloring this issue is absolutely gorgeous.

And a beaut of a cliffhanger ending.  I'm hoping poor Broot isn't being sacrificed, the trope of the gentle giant making the sacrifice for others to live is a bit played (Groot, Hodor, Chukha-Trok).
---

ISSUE 6

Oh my Alpha!  They've really been captured.  The Citadel is extracting the bomb from Kyle's neck.  The Omega Men's plan is undone.  Their interrogation is...oh my god wee Tigorr is sooo cuuuute!  He was the adopted by the Viceroy.  That explains why there was so much commotion about Tigorr in the first issue (they were speaking another language but Tigorr, Kyle Raynor, and Omega Men all went untranslated).
Just like everyone else (including the reader), the Viceroy's only question is "Why do the Omega Men need Kyle Raynor?"

And now the Viceroy is treating Kyle as if he is indeed one of the Omega Men, interrogating him (while still wearing Kyle's White Lantern ring on his finger), calling into question his kidnapping story.  So the question is, as asked "Are you Kyle Raynor?  Or are you an Omega Man?

Ahh, finally some insight into Scrapps background.  It's only 3 panels, but it's about high time we got something. In fact we get insight into how Kalista recruited the whole gang, leaving more tantalizing bits of backstory on the table.

Just like I didn't know that Kyle was Hispanic, I also didn't know he was so religious.  Was this something they started really hitting upon when he became the White Lantern?  New 52?

Aww and they confirm Broot did actually die last issue.  Suck. 
Another hell of an ending.  King's storytelling here is really building, very propulsive.