
2) I had only ever read Ex Machina on a month-by-month basis until now, reading the last five issues in one sitting. I can see why Vaughan was such a good fit for Lost, given his expert use of present day and flashback storytelling mix, driving two stories forward at once, presenting parallel themes if not a direct story correlation.

4) My brain want to a strange place for a while, and I began to ponder a story wherein in 1962 James Brown encounters a strange, alien-esqu microphone backstage before one of his concerts. He picks it up, sings into it with a "OWWWW" and it explodes, leaving JayBee unconscious on the floor. When he awakes he finds that electronics sing to him, and that he can sing back to them (with a "HUH" or "OW" or "HIT ME") and get them to do his bidding. He tours the country, and from city to city, town to town he dresses up as the bedazzled, jumpsuited Godfather of Soul, doing good deeds and saving lives and entertaining the masses. It's in Dallas when he stops an assassination attempt on JFK's life that his many brave actions puts him on the road to politics. The book follows his exploits climbing the political ladder, as well as flashing back his early hard-working showbiz days. I call it, naturally, Sex Machina. Tagline: "We never got the Big Payback, we got something better instead."

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